On Nonfiction

We should all be more like Steve Martin

I got the chance recently to see a performance of Steve Martin and Martin Short’s new comedy tour “An Evening You Will Forget For the Rest of Your Life.” And…

All that’s left: the art of Teresa Margolles

Photo: Teresa Margolles, Lemas (Mottos), 2009. Fabric impregnated with blood gathered from the places where murders took place embroidered with gold threads / Intallation view: What Else Could We Talk…

We’re all so proud of you, signed David Sedaris

Earlier this summer, I brought my fresh copy of Theft by Finding to Common Good Bookstore in St. Paul to have it signed by David Sedaris. Having never met him…

From the Editors: the Motherhood Issue

We’re trying to think back to the origins of A. Bradstreet: We remember that I was working in the Poetry Room at Harvard. That I came by to drop off…

Greater Boston Writers Resist

Jan 16, 2017  |  Hundreds of Greater Boston residents convened at the Boston Public Library yesterday for a demonstration of shared commitment to the rights and values essential to a democracy….

Land of Masks: the Enigma of James Brown

“Lemme tell you something, Rev. When you kill’em, Rev, you leave. You kill’em and leave. You understand that, son? Kill’em and leave.” —James Brown to a young Al Sharpton  …

Nothing Outside the Jouissance: On Alfie Bown’s “Enjoying It: Candy Crush and Capitalism”

Aristotle gave an early definition of pleasure, which lasted through the centuries, but later the psychoanalyst Jacques Lacan twisted this pleasure into enjoyment (jouissance), the positive dimensions of which can…

“Because he is me”: on Jill Lepore’s history of Joe Gould and Joseph Mitchell

Joe Gould’s Teeth will be many things to many readers, but it advances most forcefully a clear-eyed critique of History and Literature (the name, incidentally, of the academic program Lepore…

Call for Submissions: Translation Feature

BOSTON, MA – MAY 2, 2016 | The Critical Flame, a bimonthly online journal of book reviews, criticism, essays, interviews, and literary nonfiction, announces an invitation for submissions to a…

“A Picture of Great Detail”: The Art of David Jones

The Orchard, Capel-y-ffin, by David Jones, 1920s “And so I make for myself a picture of great detail,” said the great Homer scholar Milman Parry in a 1934 address to…

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