Posts by: Daniel E. Pritchard

Everyone Has a Mouth
by Ernst Herbeck
translated by Gary Sullivan
Softcover, $10.00
Ugly Duckling Presse, 2012

Dazzling and Tremendous

“. . .we must understand [madness] not as reason diseased, or as reason lost or alienated, but quite simply as reason dazzled.” —Michel Foucault Insanity and poetry are old kin. The…


Why Are There Two Reviews of Wiman’s Mandelstam?

That’s an excellent question. This isn’t the first time that we’ve covered a title more than once — Ben Mazer’s Poems has made several appearances, as we’ve become a sort…


America, Goddam

I am an American male of northern European descent. Not terribly handsome, not particularly fit. Reasonably intelligent, unless I’m fooling myself. It’s certainly possible. I was raised in a predominantly…

A Letter from the Editor on Women in Literary Publishing

Recently [March 2011, –ed.], the literary cultural organization VIDA: Women in Literary Arts released a report on women in magazine publishing, focusing particularly on book reviews. The results of their…

Money Shot
by Rae Armantrout
Hardcover, $22.95
Wesleyan, 2011

The Lyric LangPo Alarm: Rae Armantrout

Rae Armantrout’s poetry is informed by two key sources: first, the radical poetics of 1960s San Francisco; second, the terse verse forms of William Carlos Williams, whose poetry she first…

Mean Free Path
by Ben Lerner
Softcover, $16.00
Copper Canyon Press, 2010

In the Familiar Ways: Ben Lerner’s Mean Free Path

“The reason the siren slides is because it doesn’t hit you,” said astronomer John Dobson. He was explaining the Doppler Effect, that phenomenon of physics every urban resident knows by…

This is Not a Book Review

Through the tumultuous first decade of the new millennium there has flowed an ever more articulate stream of eulogies for the book review in print. Lamentations for the death of…


Slight Arms ’Round the Cypress Bough

In January, 2010, The Guardian asked former UK poet laureate Andrew Motion, “Why are we all still so hung up on the Romantics?” It may at first seem an odd question: a…

No Room at the End (diptych): Henri Cole

A thirty-foot spider made of stainless steel perches outside of London’s Tate Modern Museum. Artist Louise Bourgeois’ sculpture Maman is grotesque and elegant, vulnerable and out of place on its long uneven…

by John Ashbery
Hardcover, $24.95

Diet Verse: John Ashbery’s Planisphere

“Readings” of John Ashbery’s poetry have been a contentious point in critical and scholarly circles for more than half a century. It is commonly held by acolytes and detractors alike…