A century ago, China was in chaos. The Qing Empire had been overthrown by a loosely coordinated confederation of elites. The regional militias and armies that held sway were each…
“I want to be believed. But I also want to write through spaces that are utterly delusional.” —Lisa Robertson I was reading Lisa Robertson’s latest long poem, Cinema of the…
Keith Leonard’s first full-length collection, Ramshackle Ode, transforms the poetry of praise into a celebration of the imperfect—in particular, the imperfections of the author’s life. The poems of Ramshackle Ode…
BOSTON, MA – MAY 2, 2016 | The Critical Flame, a bimonthly online journal of book reviews, criticism, essays, interviews, and literary nonfiction, announces an invitation for submissions to a…
E. C. Osondu In 2006, after the publication of his first two stories, E. C. Osondu came to Boston to read for AGNI, the magazine I edit with Sven Birkerts….
The Museum of Fine Arts, Boston, sets its Little Dancer Aged Fourteen at the end of the second-floor hallway above its Fenway entrance. With her Egyptian-god stance and silk tutu…
If texts with narrative plots and wholesome structures are read and written according to disciplines and procedures conforming to their configurations, then perforated structures, degenerate formations, and plot holes must…
Code blue in room 241. The announcement is made in an unhurried, neutral tone. Code blue in room 241. I push my food away, jump up, heave open the heavy…
“A Couple and Two Children Sleeping on a London Bridge” by Gustave Dore Dimitris Lyacos’s long, tripartite poem, Poena Damni, is one of the most important and challenging literary works…