An “independent seat” is a rarely achieved height of equestrian skill, in which mechanical command and response are transformed into a fluid conversation between the bodies of horse and rider. It is…
In Tod Browning’s 1932 film, Freaks, Hans, a sideshow dwarf, falls in love with the beautiful trapeze artist Cleopatra, who marries him for his money and plots to poison him…
Mark Doty is tenacious in his in his examination of life and endlessly fussy about his use of words. He makes sure to convey his meaning, whether in the criticism…
Cum traheret Priscus, traheret certamina Verus, esset et aequalis Mars utriusque diu, missio saepe viris magno clamore petita est; sed Caesar legi parvit ipsae suae (lex erat ad…
Laura van Prooyen’s new collection Our House Was on Fire reads like a fairy tale. Like so many fairy tales, the poems relate a difficult mother-daughter relationship, in which the…
A Note from the Editor: I have been so privileged to have the chance to edit this special issue on Adrienne Rich, in commemoration of the third anniversary of her death. The essays you’ll find…
Adrienne Rich travelled to Santiago, Chile, in March 2001 to attend ChilePoesía’s inaugural gathering of international poets. The weeklong festivities included both large-scale public readings and smaller events in Santiago,…
The Critical Flame’s invitation to write on Adrienne Rich has pushed me to a long overdue assessment of what her poetry once meant to me and how it stacks…
Catch if you can your country’s moment, begin where any calendar’s ripped-off —Adrienne Rich, “An Atlas of the Difficult World” In thinking about how Adrienne Rich speaks to our present struggles…