“A Picture of Great Detail”: The Art of David Jones

The Orchard, Capel-y-ffin, by David Jones, 1920s “And so I make for myself a picture of great detail,” said the great Homer scholar Milman Parry in a 1934 address to…

Conversations: Laura van den Berg and Elisa Gabbert

Laura van den Berg I have known Laura van den Berg since the mid-aughts, when we both attended graduate school at Emerson College (I on a poetry track, she on…

A Taste of Immortality: The Post-Earthquake Haitian Novel

Quand on revient de l’enfer, chaque baiser a un goût d’immortalité. (When you come back from hell, every kiss has a taste of immortality.) —Yanick Lahens, Failles (all translations by…

Garip: A Turkish Poetry Manifesto (1941)

The Critical Flame is thrilled to present the first English publication of Melih Cevdet Anday, Oktay Rifat, and Orhan Veli’s revolutionary poetry manifesto, Garip, which appeared in Turkish in 1941. The manifesto…

Kintsugi: On Two New Collections by Simeon Berry

Reading Simeon Berry’s Ampersand Revisited and Monograph one after the other, one has the sense of a continuum marked with lacunae. Although Ampersand Revisited is Berry’s third manuscript and Monograph his…

The Space Between: A Personal Essay of Anorexia

The history of anorexia as a phenomenon is unclear, but the term “anorexia” seems to have become popularized in the Western lexicon sometime in the early nineteen eighties, as a…

Conversations: Molly Gaudry and Kristina Marie Darling

Molly Gaudry (L) and Kristina Marie Darling (R) Molly Gaudry was shortlisted for the 2011 PEN/Joyce Osterweil for her first verse novel, We Take Me Apart, which was also finalist…

A Queer Excess: the Supplication of John Wieners

John Wieners, New York City, November 1993. Photo by Allen Ginsberg. The poetry of John Wieners is lyric, bold, shameless. It is a poetry of dereliction in the face of…

50 Shades of Lydia Davis

“Sex is the brightest thread in the thick, strangely cut fabric of our lives; we can never know what it means, but we’re always sure we’re certain.” —Edmund White There are…

Line of Sight: Lineage as Vision

They wrote as women write, not as men, writes Virginia Woolf of Jane Austin and Emily Brontë in 1928. What does it mean to write as a woman? Is it…

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